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ABOUT THIS SHOW:
LOCATION: The Nordic Heritage Museum, 3014 NW 67th St, Seattle { map it}
DATE / TIME: Saturday, April 26 at 7:30pm
TICKETS: $35.00
We have a few tickets left for this show that will be available at the door. These tickets will go on sale at 6:00pm. We also have festival sponsors who may not use their tickets. These tickets will be released for sale at 7:15pm. |
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featuring: Lee Konitz - saxophone, Hal Galper - piano, Jeff Johnson - bass, John Bishop - drums
One of the most individual improvisers in jazz, the cool-toned Lee Konitz has always had a strong musical curiosity that has led him to consistently take chances and stretch himself through a 60-year career in music. After appearing on Miles Davis´ Birth of the Cool sessions, Konitz became known as a chief exponent of the cool style; at a time when most alto saxophonists were under the overwhelming influence of Charlie Parker, he found his own voice and became one of the true jazz improvisers. Early on, Konitz gained some recognition for his solos with Claude Thornhill´s Orchestra (´47), but it was during his studies with Lennie Tristano that he developed his singular conception and approach to improvising. In 1949 he recorded the first two free improvisations with the pianist´s sextet, a group that featured Warne Marsh, one of Konitz´s longstanding collaborators. After a stint with Stan Kenton´s Orchestra (´52-´54), Konitz became a leader primarily. For the past sixty years, Konitz has recorded everything from the coolest bop to the most abstract free improvisations; his voice remains authentic and an influence on many musicians to follow. In 1992 Konitz won the prestigious Danish Jazzpar Prize, a fitting tribute to a career of thoughtful and innovative work.
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featuring: Sam Yahel - hammond B3 organ, Mark Taylor - saxophone,
Matt Jorgensen - drums
One of the more distinctive voices among a new breed of Hammond B-3 organ players on the jazz scene, Sam Yahel has earned the top spot in Down Beat's annual International Critics Poll as a Talent Deserving Of Recognition for the past four consecutive years.
Since moving to New York in 1990, Yahel has worked with a string of notable jazz artists including tenor saxophonists Joshua Redman and Eric Alexander, former James Brown sideman and alto sax great Maceo Parker, guitarists Peter Bernstein and Bill Frisell, trumpeters Ryan Kisor and Jim Rotondi, vocalists Norah Jones (on her Grammy-winning Come Away With Me), Lizz Wright, and Madeleine Peyroux.
But it has been as a solo artist in his own right that Yahel has made his most personal statements as both composer and player. On Truth and Beauty (Origin Records), his fourth outing as a leader, Yahel joins with longtime colleagues Joshua Redman and drummer Brian Blade in rekindling the potent chemistry they generated as Yaya3, a collective group that was an outgrowth of a residency they had at Small's nightclub in New York. Truth and Beauty was named as one of the top 10 recordings of 2007 by the New York Times.
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ABOUT THIS SHOW:
LOCATION: The Nordic Heritage Museum, 3014 NW 67th St, Seattle { map it}
DATE / TIME: Friday, April 25 at 7:30pm
TICKETS: $20 ($30 Joint Ticket with The Ballard Jazz Walk) |
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featuring Hadley Caliman - saxophone, Thomas Marriott - trumpet
Dawn Clement - piano, Phil Sparks - bass, D'Vonne Lewis - drums
Tenor saxophonist Hadley Caliman is part of the living history of jazz music in America. He has performed, recorded and toured with musicians such as Freddie Hubbard, Gerald Wilson, Carlos Santana, Dexter Gordon, Elvin Jones, Mongo Santamaria, Joe Pass, The Grateful Dead, Joe Henderson, Don Ellis, Flora Purim, Phoebe Snow, Bobby Hutcherson and many others.
His influence on the sound of modern jazz music can be heard on many of his albums as a leader. His recent release Gratitude (Origin Records), is his first recording as a leader in 30 years and features drummer Joe La Barbera, vibraphone master Joe Locke and trumpeter Thomas Marriott.
At 77 years old and now making his home in Seattle, Hadley Caliman is an active and vibrant part of the busy Seattle music scene, and continues to tour, teach and perform throughout the world. |
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featuring: Hal Galper - piano, Jeff Johnson - bass, John Bishop - drums
"Hal Galper excels in his highly dramatic improvisations as a soloist... He plays wild capers; sudden flashes of brilliance tumbling over each other temperamentally, individual phrases sparkle effortlessly away; he changes with suspensefully loaded chord sequences, capricious, whimsical arabesques, tempo changes, pauses and stormy runs that suddenly descend over the music." -
Georg Spindler / Mannheimer Morgen
With over 82 recordings to his credit, 20 as a leader in his own right, pianist, composer, publisher, educator, author and touring artist, Hal Galper is best known for his work with Chet Baker, Cannonball Adderley, John Scofield and the Phil Woods Quintet. His recordings as a leader with Mike and Randy Brecker are considered among the best.
Graduating from the Berklee College of Music at the height of the be-bop era, his reputation grew steadily in the changing environment of jazz. He anchored such bands as The Slide Hampton Quartet, The Lee Konitz Duo, The Stan Getz Quartet and many others. His biography is listed in the National Encyclopedia of Jazz and he has 100 original compositions recorded and published.
On his most recent recording, Furious Rubato (Origin Records), Galper explores standards, originals and group improvisation utilizing "Rubato" playing, an open and circular approach to time and melody that Galper has been exploring & developing over the last several years. "...this CD swings in a complex circular fashion unlike anything else I've heard recently: freedom and form dance on a balance beam with no missteps." - Bill Barton, Coda Magazine |
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